Erich Kettelhut, sketch for Fritz Laing’s Metropolis (1927).
Student model for the project “Finding the form of a blunt massive volume,” VKhUTEMAS in Moscow (1920-1926).
The chess scene from the original film version of The Thomas Crown Affair (1968) is playfully suggestive. I am certain that my predilection for nude nail varnish must have been inspired by seeing Faye’s Dunnaway’s impeccably manicured nails in this scene.
The perfect nude is hard to find. I mix my own.
And what about Faye Dunaway’s costuming in this movie? Theadora Van Runkle pulled out all the stops!
Costume for Barbara Stanwyck as Leona in “Sorry, Wrong Number”